Matrox RT.X100 Xtreme User's Guide Page 42

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Chapter 3, Setting Up Realtime Effects with Adobe Premiere Pro
Overview of the color maps
The color maps let you adjust the balance of colors in your target clip. Depending
on which color map you use, you can affect your clip globally, or only the
shadows, midtones, or highlights:
i Reference clip color box Shows the selected color you want to match
from your reference clip.
Target clip color box Shows the selected target color that you want to
match to the reference color.
Color map You can drag the crosshair throughout the map to fine-tune
your selected target color. For details, see “Fine-tuning your color match
effect” on page 39. To return to default values, double-click the crosshair or
the color map.
Color balance values for each axis of the color map (cyan to red, magenta to
green, and yellow to blue).
¦NoteIf Match to luma levels ( ) is selected while performing your color
match, you’ll affect the input and output luminance values as well as the color
balance of your clip (by default,
Match to luma levels is selected). For more
information, see “Fine-tuning your color match effect” on page 39. Select
Preserve luminosity to maintain the luminosity (tonal balance) in your clip
while changing colors.
Performing an auto balance on your target clip
Before matching colors, you can perform an auto balance on your target clip to
automatically apply a color shift to compensate for different lighting conditions.
°To perform an auto balance, do one of the following:
$ Click the target clip color box for the tonal range you want to affect
(shadows, midtones, highlights, or global) to display a tracking rectangle
in the
Preview Window. Resize and drag the tracking rectangle to an
appropriate area of your target clip. For example, to balance your clip’s
highlights, click the
Highlights target clip color box, and place the tracking
rectangle over the lightest area of your target clip.
i
Shadows
Midtones
Highlights
Global
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